![]() ![]() The early sequence of Snake’s submarine diving through the ruins of Universal Studios is akin to a Syfy movie. Although fairly impressive by 1996 standards, the film’s visual effects have aged poorly. Kibbe (They Live, Vampires) does a fine job. lacks the shadowy cinematography with which Dean Cundey captured the post-apocalyptic New York, but director of photography Gary B. The script also delves into satirical social commentary.Įscape from L.A. The wacky ideas (the basketball challenge, tsunami surfing, hang gliding) don’t always pay off, but these elements - and Carpenter and Russell’s commitment to them - make the movie feel like a comic book come to life. If he fails to comply within 10 hours, a designer virus will kill him.Īlthough the setup is a blatant carbon copy of Escape from New York - “Sounds familiar,” Plissken quips during the expository opening - Carpenter and company take a few outside-the-box swings with the larger budget and expanded scope. with the power to end her father’s tyrannical empire, the government deploys Snake Plissken (Russell) in exchange for a full pardon of his laundry list of crimes. Langer, The People Under the Stairs) - daughter of the self-declared president for life (Cliff Robertson, Spider-Man) - escapes to L.A. Set in the near-future of 2013 - after an earthquake has turned the crime-ravaged Los Angeles into an island - the city becomes a modern-day Alcatraz to which “undesirable” people are deported. The master of horror took the skeleton of his 1981 cult classic, Escape from New York, and worked with frequent collaborator Debra Hill (Halloween, The Fog) and star Kurt Russell - his sole writing credit to date - to pen a followup for Paramount Pictures. Despite launching one of the genre’s most successful and longest running franchise with Halloween (and returning to write and score its first two sequels), the only sequel John Carpenter ever directed was 1996’s Escape from L.A.
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